56 Likes, 2 Comments – Black Mass Riso Comics (@shopblackmass) on Instagram: “Thank you to everybody who applied for the #Neotokyo fanzine. The interest was much larger than I…”
I will have a new Akira themed illustration in this rise zine by Black Mass, super excited to be working on it. I can’t share the work yet, but when I can I will.
Bubble tea is an unique street drink culture in Taiwan; however, a handful freshness each day brings a billion of disposable plastic cups and plastic straw waste every year. In this project cooperating with Spring Pool Glass, we use recycled glass to crea…
It took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000 sheets of paper, 3 fans, 2 riso printers, and 4 people to complete a book – a 360 page book that only talks about 1 thing. The thing that is always the most fascinating is “Process”. The processes and experiences that did not have the chance to appear in the pages of this book can only be quantified, converted, and recorded into words. is the result of 2 years of image separation studies and experiments, and is the second book published by O.OO, continuing the spirit and purpose of published 3 years ago. Instead of using wordy descriptions, we hope that readers can feel the wonders of Risograph printing through the details of the design in the book. Whether you are a designer, an artist, or an illustrator, anyone interested in color can use this book to enter the field with ease.The methods discussed in this book are not the one and only, and are not absolute. Everyone’s way of experimenting is different, and this book just offers our experience as a tool. Without the participation of people, the technology is plain and void of charm. Thus, the title NO MAGIC IN RISO.
Before he turned 20 years old, animator Kenji Itoso got his start working under Hayao Miyazaki at Studio Ghibli. Recently at the Finnish Embassy in Tokyo, Itoso talked about how he got his start at Ghibli, including how he made it through the interview process.Recently, Studio Ghibli has announced it is hiring up for Miyazaki’s new film. If you have applied, be aware that the famed animator might throw some curveball questions during the interview.According to Oricon, Itoso recalled how Miyazaki and producer Toshio Suzuki, two people that he had only seen previously on TV, were sitting at a table, conducting a group interview. To ease up the tension, Miyazaki asked one applicant what movie she had seen recently.“When that person replied, ‘I watched My Neighbour Totoro. Since I’ve loved that movie for a long time, I collect [Totoro] merchandise,’ Miyazaki said, ‘I see. Hearing you saw that now makes me happy, but personally, I don’t think Totoro is a cute creature.’”“As he’s grinning and chuckling, Miyazaki says, ‘He [Totoro] is a dreadful creature. He’s a carnivore, and the reason why it didn’t eat Satsuki and Mei was that he wasn’t hungry.’ The applicant said, ‘This is a shock.’”Upon hearing that, Miyazaki then began asking the applicants for their opinions about what he had said. Some applicants said, “This is interesting!”Itoso was the last person in the row of applicants. He had rewatched My Neighbour Totoro before the interview and suddenly remembered something: Totoro’s teeth were flat molars. His teeth were designed for him to chew on vegetation and not tear into flesh. Itoso thought that Totoro was a plant-eater and there was no way he’d eat Satsuki and Mei.“I only said one thing to Miyazaki, ‘He’s a herbivore, isn’t he?’” Miyazaki reportedly smiled pleasantly, and apparently, just one of the applicants got the job: Kenji Itoso.According to Itoso, the reason why Miyazaki asked such a tricky question was that people who create entertainment should not swallow whole whatever they are told. For creative types, thinking about things is important.
From Hiroshi Kondo, a mesmerizing short film called Multiverse of the motorbike-jammed streets of Taiwan. Right around the 50 second mark, Kondo starts to use a clever time lapse technique to highlight individuality wi
Transparent versions of the CDJ-2000NXS2 and DJM-900NXS2 to be exhibited at the highly anticipated “Figures of Speech” Exhibition, Chicago Museum of Modern Art, June 2019
Yopparatchi (from the Japanese word ‘Yopparai’ meaning ‘drunk’) is a retro-inspired digital pet and drinking buddy equipped with an alcohol sensor that’s used to help celebrate with your new friend.
Aaaanndddd we’re back. Sorry for the hiatus everyone, just needed some time out and finally had a break from work to welcome our friend who is moving here from Japan.
Reveal Image – Beautiful Castle Death Machine: A quiet morning survival version by BAKAkid
Anyway, that ca(r)t is finally out of the bag. My first show in over a year is an awesome group show in Tokyo, featuring a host of awesome artists making custom labels for Famicom Cartridges. Its crazy, I had the idea for the same kinda show while we were living in Osaka, and then when we travelled to Tokyo I just happened to visit Super Meteor while walking around Nakano Broadway, and they had the 2017 My Famicase Exhibition on. It was awesome, and I am so glad to be able to be part of it this year.
My entry is called – Beautiful Castle Death Machine: A quiet morning survival version
Photo of Exhibition – Beautiful Castle Death Machine: A quiet morning survival version
I have a few more in the series planned, and will be bringing them to life later this year for my own famicart exhibition if all goes to plan.
There are so many amazing entries this year, so here is a gallery with my favourites. Once I have my hands on the catalogue I will update with links to each artist.
I am so stoked that I was able to be part of the Super Meteor – My Famicase Exhibition 2019! feels really good to have my art out in the wild again, and has driven me to keep creating more and more.
It looks like I made the cover for the catalogue this year. yyyuusssss!
Super Meteor are awesome to work with, and should have all the Famicase images up on their website – www.famicase.com – shortly.