Osaka Expo 25 Logo

 

The new logo for the 2025 Expo was designed by a team led by graphic designer Tamotsu Shimada, who borrowed elements of the 1970 Expo and re-imagined them as chain of DNA. The ambiguous form and all its many cells are breathing, moving and dancing. It’s a design that will surely breath life into the Expo.

Source: https://www.spoon-tamago.com/2020/08/25/osaka-expo-2025-logo/

2025年国際博覧会(大阪・関西万博)の運営主体「日本国際博覧会協会」は25日、アートディレクターのシマダタモツ氏(55)ら「TEAM INARI」の6人の作品を公式ロゴマークに選んだと発表した。「

Source: 大阪万博ロゴ決定 制作者「70年万博のDNA表現」

The Trinity Cube – Trevor Paglen

When the world’s first atomic weapon exploded in New Mexico in July 1945, the energy from the blast formed a new mineral called trinitite from the desert sand. For his 2015 Trinity Cube project, artist Trevor Paglen took irradiated glass gathered from the area around where the Fukushima Daiichi nuclear disaster occurred in 2011 and combined it with trinitite to form a blue cube. He then installed the cube in the Fukushima Exclusion Zone to continue to be irradiated.

The artwork will be viewable by the public when the Exclusion Zone opens again, anytime between 3 and 30,000 years from the present.

Source: The Trinity Cube

SHOWTIME – Andrew Hawryluk

Andrew Hawryluk shared the motion design work done for SHOWTIME is an anime short film set in a dystopian cyberpunk setting and an original IP created by Maciej Kuciara. It is a stylistic homage to some of the most iconic Japanese anime of the 1990’s. I had the pleasure of designing and animating various motion graphic elements throughout the short, including a digital elevator display, a robotic user interface, and the final title card.